Current Exhibitions

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Spirit pot, Nigeria, Ga'anda, mid-20th century

Current Exhibition

Figure and Form: African Ceramics from the Keith Achepohl Collection

November 5, 2016 – January 29, 2017

Study Gallery

Over the centuries, African potters have created unique and innovative ceramic vessels for domestic and ritual use. Made by hand and often fired in the open, these vessels embody an immediacy of form and a deceptive simplicity that reflect a deep understanding of material, process, and embellishment. Organized by director John Olbrantz, the exhibition will feature 17 ceramic vessels from the Keith Achepohl collection of Eugene, Oregon.

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Louis Bunce, "Cove No. 2" (detail), serigraph

Current Exhibition

Louis Bunce: Works on Paper

November 5, 2016 – January 29, 2017

Print Study Center

Louis Bunce was a rising star in American art of the 1940s and 1950s, and his silkscreen prints from this time helped transform what had been a means for mass production advertising into a medium for limited edition fine art printmaking. Organized by professor emeritus and senior faculty curator Roger Hull, the exhibition will feature a range of prints and works on paper from public and private collections that highlight Bunce's accomplishments as a printmaker and is timed to overlap with a major retrospective of Bunce's work which will open in January.

Upcoming Exhibitions

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Louis Bunce, "The Burn" (detail), 1951

Upcoming Exhibition

Louis Bunce: Dialogue with Modernism

January 21 – March 26, 2017

Melvin Henderson-Rubio Gallery

Louis Bunce (1907-1983) was a legendary Portland painter, printmaker, and teacher who taught at the Museum Art School from 1946 to 1972 and who influenced several generations of Oregon artists. Organized by professor emeritus and senior faculty curator Roger Hull, the exhibition will chronicle the artist's career over a fifty-seven year period and will feature 49 paintings drawn from public and private collections throughout the United States.
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Anne Hirondelle, "Re:Volve 1," 2015, stoneware and paint

Upcoming Exhibition

Anne Hirondelle: Small Revolutions

February 11 – April 30, 2017

Study Gallery and Print Study Center

Anne Hirondelle is an internationally-recognized ceramic artist who was raised in Salem, Oregon and educated at the University of Washington. Throughout her career, Hirondelle has pushed the boundaries of the ceramic medium, making vessels and sculptures that are warmly alive and visually engaging. Organized by director John Olbrantz, the exhibition will feature a range of ceramic vessels and drawings on loan from the artists and several private collections.

Permanent Exhibitions

Henk Pander: [italics]The Burning of the New Carissa[/italics] (detail)

Henk Pander: The Burning of the New Carissa (detail)

Permanent Exhibition

Northwest Perspectives: Selections from the Permanent Collection

On permanent view

Carl Hall Gallery

Visitors can explore new ideas of landscape, narrative, identity, form and process through a variety of paintings, sculptures and mixed media that highlight both visual and conceptual relationships between historic and contemporary art.

The gallery provides the museum with an opportunity to share many previously unviewed works that capture the rich and varied expressions that have taken place during the past century, which has been marked by rapid changes in the art world, the Northwest and its landscape.

This gallery is named for Carl Hall (1922-1996), who taught at Willamette University for nearly 40 years and painted a luminous record of his response to the region.

View the Northwest Collection

[italics]Tillamook Wallet Basket[/italics]

Tillamook Wallet Basket

Permanent Exhibition

Ancestral Dialogues: Conversations in Native American Art

On permanent view

The Confederated Tribes of the Grand Ronde Gallery

Featuring works from the museum’s permanent collection of American Indian art, this exhibition is organized around the concept of dialogue. The focus is on native art history as a dynamic, rich legacy from which contemporary arts grow today. Art works are placed in conversation, juxtaposed so that the work of many generations is in visual dialogue across time, telling stories of creation, transformation, and renewal. Historic baskets, bags, regalia, and lithics are displayed side by side with contemporary art works by artists such as Rick Bartow, James Lavadour, Bud Lane, Lillian Pitt, Pat Courtney Gold, and Joe Feddersen among many others.

[italics]Relief of a Servant[/italics]

Relief of a Servant

Permanent Exhibition

Across Continents, Through Time

On permanent view

Mark and Janeth Sponenburgh Gallery

This exhibition features selections from the museum’s European, Asian, and American Collections, which span 4,500 years and encompass four continents: Europe, Asia, Africa and North America. On view are paintings, ceramics, prints, sculptures, textiles, architectural fragments, archaeological artifacts, Orthodox icons and decorative arts that will deepen visitors’ appreciation for artworks of aesthetic quality and expressive significance from cultural traditions worldwide.

Many of the works of art displayed in this gallery were generously donated to Willamette University in 1990 by Mark and Janeth Sponenburgh, and formed the basis for the creation of the Hallie Ford Museum of Art.

Permanent Exhibition

Print Study Center

On permanent view

Print Study Center

The museum’s collections of works on paper – prints, drawings, paintings on paper, and photographs – are stored, studied and displayed in the Print Study Center. The collection includes many contemporary American works, particularly by artists of the Pacific Northwest. Other highlights include etchings by the 17th-century Dutch artist Anthonie Waterloo, and 19th-century American expatriate artist James Abbott McNeil Whistler, as well as an early pictorial photograph by Edward Steichen. Temporary exhibitions in the Print Study Center are designed to highlight works in the permanent collection, and complement and enhance the special exhibitions on view.