Department of Anthropology
Willamette University
900 State Street
Salem, Oregon 97301
503-370-6615 voice
Thai Music and Musicians in Contemporary Bangkok, Center for Southeast Asian Studies, Monograph No. 34, University of California, Berkeley, 1993. (271 pp.)
Articles
“Defining the classical in studies of South and Southeast Asian music: a review and evaluation of pertinent scholarship,” Accepted September 2004, E-AsPac (peer-reviewed electronic journal of Asian Studies on the Pacific Coast).
“Constructions of nation and the classicization of music: comparative perspectives from Southeast and South Asia,” Journal of Southeast Asian Studies 35(2):187-212, 2004.
“Elite music and nationalism: how does music become classical?” Newsletter of the International Institute for Asian Studies, the Netherlands, July 2003.
“Building a ‘one-person minor’: anthropology in cooperation with neighboring disciplines,” Federation of Small Anthropology Programs Newsletter 3(2):2-3, 1994.
“Teachers on tape: innovation and experimentation in teaching Thai music,” Balungan 5(1):15-20, 1991.
“Musical notation in Thailand,” Journal of the Siam Society 78:101-108, 1990.
“Thai music and attitudes towards the past,” Journal of American Folklore 102:190-194, 1989.
“Names and civil service titles of Siamese musicians,” Asian Music 19(2):82-92, 1988.
“‘Songs for life’: leftist Thai popular music in the 1970s,” Journal of Popular Culture 20(3):93-113, 1986.
In spring 2005, papers will be presented at meetings of the following organizations: