Theses

2012

Armitage, Amelia
Nineteenth-Century American Picturesque Landscapes: Central Park Landscape Design as Fine Art

Booth, Lydia
Georges de la Tour and the Penitent Magdalene’s

Gallegos, Vanessa
The Visibility of Judith Leyster: a Woman Artist of the Seventeenth Century

Greenwell, Lauren
Photographs that Shaped a Nation: Dorthea Lange, the FSA, and Japanese American Internment

Harms, Valerie Grabow
Artemisia Gentileschi’s "Judith Slaying Holofernes:" The Subversion of the Male Hero

Hill, Alice
A Meta-Critical Study on Sandro Botticelli’s "Birth of Venus"and "Primavera:" A Quest for Meaning

Jones, Lauren
Pieter Bruegel’s "Peasants:" A Scholarly Debate on its Interpretations

Kuhn, Sam
Ceci N’est Pas Un Mystère: An Art Historical Investigation of Reality in David Lynch’s "Twin Peaks"

Lawther, Olivia
A Critical Analysis of Cesare Brandi’s Theory of Restoration with Reflections on Barbara Appelbaum’s Conservation Treatment Methodology

McDowell, Emily
Cute and Radical: A Female Visual Code of Superflat

Main, Reva
William Eggleston: “Father of Color Photography”

Meyers, Jessica
Cultural Receptions of Forgery in 18th and 19th Century Europe

Morehouse, Madeline
Post-Revolutionary Mexican Artists: Their Exploration of a Mexican Identity

Scott, Hayley
The Russ Building: A Case Study of Neo-Gothic Forms in Twentieth Century American Skyscapers