2015

Atherton, Michelle
Solve et Coagula: An Alchemical Analysis of the Paintings of Bartholomeus Spranger in the Court of Rudolph II

Bond, Molly Fairfax
Shaping Spectatorship in Art: A Study on Francesco Salviati's "Scenes from the Virgin's Life"

Cohen, Grace
What is the Boroque Style? Francesco Borromini and the HIstoriography of the Baroque Phenomenon

Croney, Alyson
Liberty Leading the People: Delacroix's New Liberty

Douglass, Pauline Lee Anne
Queer Theory in Art: An Abnormal Lens

Foster, Michaelanne McCormick
Images Made Without Hands: Understanding Iconoclasm by Analyzing its Most Powerful Icon

Geiszler, Alexander Olsson
Kirchner's Woodcuts and the Story of Peter Schlemiel

Macaluso-Green, Hannah R.
Subjectivity and Irony in the Art of Bas Jan Ader and Ger Van Elk: 1970-1975

Marsella, Katherine A.
The Impressionists' Dealer: Paul Durand-Ruel and Shifting Paradigms of the 19th Century Art Market

Packer, Madeline Mendez
Ana Mendieta: Challenging Phallogocentrism

Ricchio, Stephanie
Umberto Boccioni: The Anxiety of Influence in Italian Futurism

Swart, Matthew R.
Transgressive Art and the Temporality of Decency: The Ultimate Value of Censoring Censorship

Van Hook, Elizabeth
Feminist Theory and Assigning Meaning to Edouard Manet's Works

Willamette University

Art History

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