900 State Street
Salem, Oregon 97301
This course explores an international sampling of cinematic approaches to revolution leading up to, during, and immediately following May '68. Historical and theoretical readings supplement weekly screenings of films by Bunuel, Godard, Antonioni, Jodorowsky, and others. Semiotic, Situationist, auteur, feminist, and other film theories contribute to daily classroom, blog, and formal paper discussions.
Prerequisites: FILM 210 or consent of instructor.