J314
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R. Loftus |
Walton Hall 144 |
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email rloftus |
x6275 |
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Course Objectives: |
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To introduce students to some of the major questions and issues in modern Japanese literature. Classical poetry and narrative prose, along with theater will be considered at the outset, but the emphasis will be on shôsetsu, Japan's version of the modern novel. Our aim will be to examine how the acts of reading and writing have occurred in the context of modern Japanese culture. Emphasis will be on in-class discussion and "writing-to-learn exercises." Some examples of such exercises are: |
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pre-discussion writing on discussion questions either in-class or before class online with Blackboard's "Discussion Board;" these can be written in an informal, expressive style |
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short responses to readings and specific questions as posted on "Discussion Board." Hopefully, these will aid students in framing the questions and identifying the topics they will address in their formal papers |
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drafts/interim works will be read by peers in the class and peers/instructors at the Writing Center |
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"freewrites" may be used as a post-writing exercise to be done immediately after formal papers are collected when appropriate |
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Course Requirements: |
1. Regular attendance--no more than 3 unexcused absences--or grade will be lowered |
2. Preparation of reading assignments as indicated on syllabus |
3. Participation in online and in-class discussions |
4. Participation in at least one Individual Conference with Professor to discuss a Draft of your paper |
5. Completion of three fomal papers and various in-class writing assignments designed to develop ideas for these papers as well as submitting to and providing Peer Review. |
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Due dates for three formal papers: Feb. 21, Mar. 21, May 8 Students may exercise a 24 hour "grace" option one one of their three papers--that is, be allowed an extra 24 hours to turn their paper in without negative consequences. But, you may only do this once during the semester. |
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by ENCHI Fumiko |
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by Natsume SOSEKI |
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by MURAKAMI Haruki |
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by YOSHIMOTO Banana |
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by OE Kenzaburo |
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January 17 |
Introductions and Course Overview |
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19 |
Lecture: On Reading and Interpreting Japanese Literature: Where do we find Meaning? |
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Handout: Noel Burch, TO THE DISTANT OBSERVER, Ch. 2,3 |
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24 |
Introduction to Japanese Poetry and PoeticsOn the Manyoshu"Aware" and HeianPolitics Site |
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Some more on poetry
More on the Tosa Nikki
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26 |
From Poetry to Prose: the Genji monogatari |
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YUGAO (Evening Faces) &Another Yugao siteAOI (Heartvine) Chaptersvisit another excellent Genji websiteSee more websites on the Genji |
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Jan. 31 |
And back again: Noh: DEFINITIONS, VIDEO, TEXTS, begin MASKSAoi no UyeSee websites on Noh and its Masks |
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See Another site for Noh Masks |
Feb. 2 |
MASKS by ENCHI Fumiko |
First part. pp. 3-59 |
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MASKS--part Two, pp.61-112 |
Characters |
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MASKS--Finish |
See Nonomiya or The Shrine of the Fields |
Student Conferences: Discuss Paper #1 Drafts/ Peer Review Wednesday February 15
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14 |
KOKORO--pp. 1-62 |
by Natsume Soseki; See another brief Bio |
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KOKORO--pp. 62-124 |
See notes on Kokoro |
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KOKORO--pp. 125-187 |
PAPER #1 DUE |
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KOKORO--pp.187-End |
See photos of gingko trees |
Zoshigaya Cemetary |
See Picture of Soseki in Middle-School |

Natsume Soseki's likeness on the 1000-yen note
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SPUTNIK SWEETHEART, pp. 1-53 |
by Murakami Haruki |
March 2 |
SPUTNIK SWEETHEART, pp.54-96 |
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SPUTNIK SWEETHEART, pp. 97-210 |
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Discuss |
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14 |
A PERSONAL MATTER Chs. 1-4 |
by OE Kenzaburo |
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A PERSONAL MATTER Chs. 5-7 |
Brief review |
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A PERSONAL MATTER Chs.8-10 |
"Oe and the Sublime"PAPER #2 DUE |
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A PERSONAL MATTER Chs. 11-13 |
Oe Notes |
MARCH 27-31 |
SPRING BREAK, NO CLASSES |
See a biopage/Nobel PrizeSee 1994 Interview with Oe at Berkeley |





April 4 |
Discuss A Personal Matter; begin Film: IKIRU (To Live), |
KUROSAWA Akira, Director |
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Film: IKIRU (To Live), Discuss |
Film Review article |
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Finish Ikiru, Discuss IKIRU |
Some Definitions of Existentialism |
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13 |
"Moonlight Shadow" |
by YOSHIMOTO Banana |
18 |
KITCHEN pp. 3-26 |
YOSHIMOTO Banana |
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KITCHEN pp. 26-56 |
YOSHIMOTO Banana |
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YOSHIMOTO Banana |
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KITCHEN pp. 57-105 (complete) |
More on Yoshimoto Banana |
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Discuss |
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May 2 |
Last Class |
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Ref. DS 805 .K633 |
KODANSHA ENCYCLOPEDIA OF JAPAN 8 vols. |
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Ref. C.52 and C.53 |
CONTEMPORARY AUTHORS (100+ Volumes) |
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Ref. PL 717. R55 1 |
A READER'S GUIDE TO JAPANESE LITERATURE |
by Thomas Rimer |
Ref PL 747.55. L48 |
MODERN JAPANESE NOVELISTS: A BIOGRAPHICAL DICTIONARY |
by John Lewell |
Ref. PN 771 .C59 |
CONTEMPORARY LITERARY CRITICISM |
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Ref. PN 771 .55 |
ENCYCLOPEDIA OF WORLD LITERATURE IN THE TWENTIETH CENTURY |
1981 |
Internet Site: "Trends in Present Day Japanese Literature" |
See "Japanorama" Commercial site for Japanese Literature |
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For a site with MP3 files of Japanese Literary Texts click here |

See also the following books on Reserve: |
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1. Doris Bargen |
A Woman's Weapon:Spirit Possession inthe Tale of Genji |
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2. Kojin Karatani |
The Origins of Modern Japanese Literature |
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3. Arthur Kimball |
Crisis and Identity in Contemporary Japanese Novels |
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4. Noriko Lippit |
Reality and Fiction in Modern Japanese Literature |
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5. Masao Miyoshi |
Accomplices of Silence |
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6. Irena Powell |
Writers and Society in Modern Japan |
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7. Thomas Rimer |
Modern Japanese Fiction and its Traditions |
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8. Makoto Ueda |
Modern Japanese Writers and the Nature of Literature |
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9. Michiko Wilson |
The Marginal World of Oe Kenzaburo |
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10. H. Yamanouchi |
The Search for Authenticity in Modern Japanese Literature |
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11. Sachiko Schierbeck |
Japanese Women Novelists in the 20th Century 104 Biographies 1900-1993 |
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12. Rebecca Copelanad |
Lost Leaves: Women Writers of Meiji Japan |
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13. Chieko Mulhern, ed. |
Japanese Women Writers: A Bio-Critical Sourcebook |
ENCHI Fumiko (click for brief discussionof the Buddhist parable of Lady Vaidehi). See a photo of Nishi Honganji Temple.