History of Satire

 

Satire through (1) some form of parody overdramatizes the alleged ÔlogicÕ of a targeted person, policy, or institution in order (2) to expose its failings from a particular moral perspective while also (3) using that same perspective to offer albeit in a veiled way a meaningful alternative, corrective, or solution.

 

 

See

http://en.wikipedia.org/wiki/Satire

 

Satire is a literary technique of writing or art which principally ridicules its subject (individuals, organizations, states) often as an intended means of provoking or preventing change. In Celtic societies, it was thought a bard's satire could have physical effects, similar to a curse. A satirist is one who satirizes.

Satire is not exclusive to any viewpoint. Parody is a form of satire that imitates another work of art in order to ridicule it.

There are several types of satire:

 

see

http://www.pbs.org/now/politics/satire.html

 
Satire has long been a tool of political criticism.

Although the term satire may describe an entire work, a passage, or a tone, its characteristics are shared: among these,

1. it employs comedy or humor;

2. has a target and an ideal to compare it to; and

3. describes folly or vice in detail.

From ancient times satirists have shared a common aim: to expose foolishness in all its guises — vanity, hypocrisy, pedantry, idolatry, bigotry, sentimentality — and to effect reform through such exposure. The many diverse forms their statements have taken reflect the origin of the word satire, which is derived from the Latin satura, meaning "dish of mixed fruits," hence a medley.