
Jim Hibbard, "Jerusalem," 1989
Jim Hibbard: Back in View
May 6 – August 12, 2023
Study Gallery and Print Study Center
Jim Hibbard was an important Northwest artist who, after a 30-year career of exhibiting and teaching in Portland, established a new home and studio in Guanajuato, Mexico. This focused survey exhibition makes his Mexican work available to American audiences for the first time as well as revisits work from his earlier Portland years.Upcoming Exhibitions

Tom Prochaska, "Oregon," 2013.
Tom Prochaska: Music for Ghosts
June 6 – August 26, 2023
Melvin Henderson-Rubio Gallery
This retrospective exhibition explores the career of longtime Portland artist Tom Prochaska. Well known for his open ended narrative works, Prochaska has developed a body of work that often merges dreamlike memories with a dark sense of humor.
Crow's Shadow Institute of the Arts Biennial
August 26 – December 2, 2023
Study Gallery and Print Study Center
The Crow’s Shadow Institute of the Arts Biennial exhibition features a selection of contemporary prints created by Native and non-Native artists at the Crow’s Shadow Institute of the Arts on the Umatilla Reservation in northeastern Oregon.
Image Gallery (Coming Soon)Artists (Coming Soon)About Crow's Shadow Institute of the ArtsHallie Ford Museum of Art and the Crow's Shadow Institute of the Arts
The Hallie Ford Museum of Art at 25: Highlights from the Permanent Collection
September 19 – December 16, 2023
Melvin Henderson-Rubio Gallery
The Hallie Ford Museum of Art opened its doors in October of 1998. In order to celebrate its remarkable history and growth over the past twenty-five years, the HFMA director, curators, outside scholars, and others have teamed up to mine the collection to reveal its many hidden treasures, often for the first time.
Permanent Exhibitions
![Lucinda Parker: [italics]Pinkish Lenticular[/italics]](../images/exhibitions/permanent/hfma-carlhallgallery-lucinda-parker-pinkish-lenticular.jpg)
Northwest Perspectives: Selections from the Permanent Collection
On permanent view
Carl Hall Gallery
Visitors can explore new ideas of landscape, narrative, identity, form and process through a variety of paintings, sculptures and mixed media that highlight both visual and conceptual relationships between historic and contemporary art.
The gallery provides the museum with an opportunity to share many previously unviewed works that capture the rich and varied expressions that have taken place during the past century, which has been marked by rapid changes in the art world, the Northwest and its landscape.
![[italics]Tillamook Wallet Basket[/italics]](../images/exhibitions/permanent/tillamook-wallet-basket.jpg)
Ancestral Dialogues: Conversations in Native American Art
On permanent view
The Confederated Tribes of the Grand Ronde Gallery
Featuring works from the museum’s permanent collection of American Indian art, this exhibition is organized around the concept of dialogue. The focus is on native art history as a dynamic, rich legacy from which contemporary arts grow today. Art works are placed in conversation, juxtaposed so that the work of many generations is in visual dialogue across time, telling stories of creation, transformation, and renewal. Historic baskets, bags, regalia, and lithics are displayed side by side with contemporary art works by artists such as Rick Bartow, James Lavadour, Bud Lane, Lillian Pitt, Pat Courtney Gold, and Joe Feddersen among many others.
![[italics]Relief of a Servant[/italics]](../images/exhibitions/permanent/relief.jpg)
Across Continents, Through Time
On permanent view
Mark and Janeth Sponenburgh Gallery
This exhibition features selections from the museum’s European, Asian, and American Collections, which span 4,500 years and encompass four continents: Europe, Asia, Africa and North America. On view are paintings, ceramics, prints, sculptures, textiles, architectural fragments, archaeological artifacts, Orthodox icons and decorative arts that will deepen visitors’ appreciation for artworks of aesthetic quality and expressive significance from cultural traditions worldwide.
Many of the works of art displayed in this gallery were generously donated to Willamette University in 1990 by Mark and Janeth Sponenburgh, and formed the basis for the creation of the Hallie Ford Museum of Art.

Print Study Center
On permanent view
Print Study Center
The museum’s collections of works on paper – prints, drawings, paintings on paper, and photographs – are stored, studied and displayed in the Print Study Center. The collection includes many contemporary American works, particularly by artists of the Pacific Northwest. Other highlights include etchings by the 17th-century Dutch artist Anthonie Waterloo, and 19th-century American expatriate artist James Abbott McNeil Whistler, as well as an early pictorial photograph by Edward Steichen. Temporary exhibitions in the Print Study Center are designed to highlight works in the permanent collection, and complement and enhance the special exhibitions on view.

Point of View
On permanent view
Landing to the second floor
In this ongoing exhibition series, we invite members of the Willamette community to share their experience or interpretation of a work of art from the perspective of their area of expertise, study, or research. Each semester we will offer a new work, and a new "point of view."